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    2012 PSLE Discussions and Strategy

    Scheduled Pinned Locked Moved Primary 6 & PSLE
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    • C Offline
      Chenonceau
      last edited by

      psle2011mum:
      Before you read the rest of this post, please note this Caveat : Every child and every parent is different; it doesn't work the same way for everyone, but for what it may be worth to other parents, the following are some lessons I learnt in my journey with DD in 2011.


      These factors probably helped DD achieve EESIS (in no particular order):

      a) Being a Reader - the love for reading extends well beyond helping in English; it is the language of understanding [and therefore mastering] for Math and Science too; start the child reading early and watch the rewards multiply

      b) Being a girl - sits still better,earlier and for longer; writes more neatly; willing to memorise by rote; willing to practice and re-practice; - all \"advantages\" in our particular education system

      c) Being in a strong parent-child relationship - this is necessary so that the journey doesn't become one of a battle of wills - the willingness to accept teaching and correction from a parent will help in the many tough spots along the journey

      d) Being sold on the idea of \"deferred gratification\" - we taught this early on [read about this by googling \" Stanford Marshmallow Experiment (1972) by Prof Walter Mischel] and had to recall this lesson countless times throughout the PSLE journey because it was a 12 month marathon for us; and while as adults we may be more \"used\" to it, kids have probably not personally experienced something close

      e) Having Good Resources - a lot of time and effort was spent assembling good resources; we were well beyond the \"why can't the textbooks be better\" and the indignation of \" how can they test what they don't teach\" by the time DD was in P4, so our main focus in DD's P5 year was to get the best resources we could and thereafter sort them all out by end of DD's P5 year. If this meant me taking lessons as a parent, I did; if this meant me \"re-writing\" the textbook, I did. I'll share more for each subject's resources in a separate post.

      f) Getting your hands dirty - I had to motivate by example; \"Monkey see - monkey do\" -- so while I dictated the work, I worked along side - correcting, working out the answers DD couldn't, researching the answers for Science especially; re-writing the compos if they had been terribly done (so that there was some standard to aspire to); there was really no time to do my own work during this time, so I squeezed my urgent work into the times when DD was in school or asleep

      g) Not being attached to the TV or other gadgets - DD played in the park, read and slept in her \"downtime\"; she had no time for TV because of my work schedule and had no access to computers and i-anythings along the PSLE journey

      Conclusion: I wouldn't have done it any other way; we learnt so many lessons together, chief amongst them was that DD saw for herself the value of keeping at something even though it was difficult ; I now see a more mature child in her who probably still sighs at the challenges ahead but thereafter will square her shoulders and \"dig right in\" to get the job done without complaint.

      It's hard but not impossible -- I believe many parents [especially those participating and silently reading in this forum] are well capable of it; so what are you waiting for? Be that involved parent for your PSLE child; you won't regret the time and effort spent!
      :goodpost: This is SUCH a very good post!! I've taken the liberty to highlight some portions because I wanna link some people to this post. Please write more.

      1 Reply Last reply Reply Quote 0
      • P Offline
        pixiedust
        last edited by

        psle2011mum


        :rahrah: Reading your post brought a lump to my throat ! I *saluate* your determination and time management skills for achieving such great results with your dd while juggling a full-time job.

        Total agree with fellow comarade, Chenonceau, re: highlighted points in (e) of your posts.

        Please drop by here whenever time permits...I am looking forward to your post about resources. Helping the child with time management, balance between work and rest are also topics I am still struggling with.

        Mine is a boy but I see HOPE !

        1 Reply Last reply Reply Quote 0
        • P Offline
          psle2011mum
          last edited by

          Hi Chenonceau


          Thank you; I’m a great admirer of your many posts and I am sure I speak for many parents [participants and silent readers alike] when I say " thank you from the bottom of our hearts" for your generosity in sharing your experiences. They have benefitted us so much.

          You are doing a great job with your DS and while I slowly work through my posts about the resources that helped DD, I would say in the meantime that yes, I totally agree, Potato kids need special ways of learning Chinese ["crutches" like memorising Chinese compos - DD did lots of that too] so from my books, you are right on track!

          What I also learnt from the journey with DD was that after some of her hard work paid off and she was scoring better in Chinese compo, it was SHE herself who wanted to keep at the hard work because she had tasted success. My role was then reduced to "testing" , "sourcing" compos for her to memorise and 'analysing" PSLE compo questions to "spot" trends.

          Great job Chenonceau and all the best to you and DS in this very special year ahead!

          1 Reply Last reply Reply Quote 0
          • W Offline
            wonderm
            last edited by

            psle2011mum:
            Before you read the rest of this post, please note this Caveat : Every child and every parent is different; it doesn't work the same way for everyone, but for what it may be worth to other parents, the following are some lessons I learnt in my journey with DD in 2011.


            These factors probably helped DD achieve EESIS (in no particular order):

            a) Being a Reader - the love for reading extends well beyond helping in English; it is the language of understanding [and therefore mastering] for Math and Science too; start the child reading early and watch the rewards multiply

            b) Being a girl - sits still better,earlier and for longer; writes more neatly; willing to memorise by rote; willing to practice and re-practice; - all \"advantages\" in our particular education system

            c) Being in a strong parent-child relationship - this is necessary so that the journey doesn't become one of a battle of wills - the willingness to accept teaching and correction from a parent will help in the many tough spots along the journey

            d) Being sold on the idea of \"deferred gratification\" - we taught this early on [read about this by googling \" Stanford Marshmallow Experiment (1972) by Prof Walter Mischel] and had to recall this lesson countless times throughout the PSLE journey because it was a 12 month marathon for us; and while as adults we may be more \"used\" to it, kids have probably not personally experienced something close

            e) Having Good Resources - a lot of time and effort was spent assembling good resources; we were well beyond the \"why can't the textbooks be better\" and the indignation of \" how can they test what they don't teach\" by the time DD was in P4, so our main focus in DD's P5 year was to get the best resources we could and thereafter sort them all out by end of DD's P5 year. If this meant me taking lessons as a parent, I did; if this meant me \"re-writing\" the textbook, I did. I'll share more for each subject's resources in a separate post.

            f) Getting your hands dirty - I had to motivate by example; \"Monkey see - monkey do\" -- so while I dictated the work, I worked along side - correcting, working out the answers DD couldn't, researching the answers for Science especially; re-writing the compos if they had been terribly done (so that there was some standard to aspire to); there was really no time to do my own work during this time, so I squeezed my urgent work into the times when DD was in school or asleep

            g) Not being attached to the TV or other gadgets - DD played in the park, read and slept in her \"downtime\"; she had no time for TV because of my work schedule and had no access to computers and i-anythings along the PSLE journey

            Conclusion: I wouldn't have done it any other way; we learnt so many lessons together, chief amongst them was that DD saw for herself the value of keeping at something even though it was difficult ; I now see a more mature child in her who probably still sighs at the challenges ahead but thereafter will square her shoulders and \"dig right in\" to get the job done without complaint.

            It's hard but not impossible -- I believe many parents [especially those participating and silently reading in this forum] are well capable of it; so what are you waiting for? Be that involved parent for your PSLE child; you won't regret the time and effort spent!
            :goodpost: Mine are boys and we had good PSLE journeys for both of them taking similar approach as you described except that I am SAHM which made it easier for me. So your recommendation should work for boys as well.

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            • M Offline
              Monica Yeoh
              last edited by

              You can try out "The Home Tutor" CDs that are available at popular book store.

              I did that for my daughter when she start worrying about her PSLE Science. More important is your kid has made commitment wanting to study all P4 to P6 using the online CDs.

              1 Reply Last reply Reply Quote 0
              • C Offline
                Chenonceau
                last edited by

                psle2011mum:
                You are doing a great job with your DS and while I slowly work through my posts about the resources that helped DD, I would say in the meantime that yes, I totally agree, Potato kids need special ways of learning Chinese [\"crutches\" like memorising Chinese compos - DD did lots of that too] so from my books, you are right on track!


                What I also learnt from the journey with DD was that after some of her hard work paid off and she was scoring better in Chinese compo, it was SHE herself who wanted to keep at the hard work because she had tasted success. My role was then reduced to \"testing\" , \"sourcing\" compos for her to memorise and 'analysing\" PSLE compo questions to \"spot\" trends.

                Great job Chenonceau and all the best to you and DS in this very special year ahead!
                Like your DD, my DS wants to do the memorizing. It isn't pleasant but he tasted success and wants more success.

                Thank you so much for validating my approach. I have moments of doubt and when I see him work so hard, my heart hurts and I keep asking myself if there is a less painful way. It's even more painful for us in that we had been goofing off up until P4.

                1 Reply Last reply Reply Quote 0
                • Z Offline
                  Zekezachzoom
                  last edited by

                  Hi psle2011mum,


                  Thanks for the wonderful tips that you have shared with us. Though I have gone through one psle before with my ds1, I am still learning from my past mistakes with the upcoming psle with ds2.

                  As both my sons are from catholic mission school, the school Chinese standard is below national average. Hence it really makes the journey of learning Chinese extremely tough. I am wondering if you can share what sort of Chinese compos is best to start my ds2 to memorize (there are so many out there!), it will be greatly appreciated!

                  Regards

                  1 Reply Last reply Reply Quote 0
                  • M Offline
                    Mdm Koh
                    last edited by

                    dovetail:
                    Yes, I can attest to the benefits of starring far. My kids dd 11 and ds 14 and not myopic. I attribute their good eyesight to balance of outdoor activities.


                    Just to add another starring far poetry, with permission from my dd who wrote this a week ago.

                    Starry Night

                    When you look far far away,
                    on a cloudless night, not day,
                    don't you feel happy at what you see?
                    Don't you feel for one moment that you are really free?

                    When you see the the twinkling stars,
                    like the lights of hundreds of cars,
                    don't you feel that the two are different somehow?
                    Don't you feel that great feeling of \"Now\"?

                    You don't have to worry about this or that,
                    about doing your homework or losing your hat.
                    You just enjoy the present, the now, the here,
                    the presence of loved ones, of those who are dear.

                    So next time you leave that starry night,
                    try to look at the world in a new light.
                    Don't worry about the future, or grumble about the past,
                    leave all these things alone, to collect dust.

                    For remember, these are chains that tie you down,
                    that make you unhappy, and make you frown.
                    Hold fast to the present, and those who are dear,
                    for the most important time is now, and the most important place is here.

                    Donata, Written on the spot
                    © - Donata - All Rights Reserved - 2011
                    Very nice rhyming couplets. Your DD has a way with words. 😄

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                    • P Offline
                      psle2011mum
                      last edited by

                      Hi Parents


                      This [very long] post [ I apologise in advance] is about how I helped DD with her English Compo. I’m not an expert at all [really more desperate than expert] but my work involves English language skills so I used some of that to help DD.

                      DD’s English compo writing had been really poor in P3 not because she lacked ability, but because (a) she did not understand the requirements for Compo Writing and (b) she had nothing to aspire to, not having sighted "good writing" pieces.

                      I’ve shared that DD is a reader but she read for entertainment. She likes Fantasy - Narnia, Bartimaeus, Harry Potter – it’s hard even for a reader to translate anything from reading this genre of books to a composition which asks you to write about a girl you find crying in a shopping centre; so I had no choice but to roll up my sleeves and help.

                      Again I reiterate my lack of qualified expertise; I can only say both DDs did well in English Compo with the following strategies.

                      I learnt the hard way that Compo writing is NOT creative story writing [ my apologies to the many "creative writing tutors out there" ; I can only say that this is my perspective on the issue and parents still have to make their own assessment about what works best for their child] .

                      I don’t recall having had any special training for compo writing in school, but I recall I did well enough. Yet, when I turned my hand to the compos my DD had to write, I was stumped.

                      I tried analysing my DD1’s problem with the teachers then, but didn’t get too far as they were really busy. Through a friend though, I learnt of an English Language trainer [she trains some of our teachers]and I had 3 group sessions with her. The benefit of this was that I could ask an expert what was expected, what was rewarded with marks and what didn’t work, and also very importantly, why. This trainer critiqued DD’s efforts [ DD had to write pieces and submit these to the trainer before the sessions] and this trainer explained to me clearly the requirements for composition writing.

                      These were some things that “turned on the light” for me:

                      a.\tIn Compo writing, what is tested is language ability -I know, I know, it’s a bit of a no-brainer right – but I had started off on the wrong foot thinking it was like my own primary school days when teachers asked us to write stories [ I remember mine being liberally peppered with Enid- Blyton- like elves and characters drinking English tea! I am sure a gollywog or two put in an appearance too.]

                      b.\tIt is perfectly all right to write the Obvious [aka “boring story line”] Story - in my bid to write “stories”, I tried getting DD to write beyond the obvious –“creative” stories with plots , myriad characters and twists; it was a strategy that failed miserably because she tripped up everywhere-- and it was so unnecessary. If you accept Premise (a) above, then you can accept that your child will not be marked down because he/she wrote the Obvious Story. On the other hand, if there is a logic lapse [because your child got confused in all that creativity], your child may well be marked down for it. What is the Obvious Story ? Well, it’s a simple one liner for each part of the story. I’ll try to illustrate with examples below.

                      c.\t“Show” don’t “Tell” – you may have heard the teachers tell the children this in class but kids being kids, DD didn’t understand what it meant. Perhaps I can illustrate this better with an example. A simple, quite typical sentence many of our kids can write without any problem is something like : “He cried out in pain”. This is an example of “telling” - the sentence can easily be in answer to the question “Tell me what happened”; but if the question is not “tell me what happened “ but ‘ show me what happened”, a child might well take it to mean that he/she has to “act it out’ to “show” you what happened – and that was what I taught DD to do – only her “acting” had to be in words; maybe something like this – “Pain wrecked his body. Tears streamed out of the corners of his eyes even as his lips compressed into a thin line. He could contain it in no longer – his mouth opened and his shriek of agony filled the room.” We used a rough ‘one for three’ formula to "show" and "not tell" ie for the one simple “tell me what happened “ line, DD was trained to write 3 descriptive lines. See how this links to Premise (a) – the child can write “ He cried out in pain” but if he/she can achieve the 3 descriptive lines in place of the one “telling” line, he/she has shown his/her linguistic ability/prowess and will be rewarded with marks.

                      d.\tPractice makes perfect – in DD’s school, the time table provided for 10 compos to be written in a year. Simply put, it was not enough for DD to count on the school to provide the needed practice – we had to do quite a bit more on our own. We used the past year PSLE questions from other schools for practice and also the Hokkien Huay Kuan published exam papers [ you can get these tomes from Popular].We bought the latter mainly because of the English compo questions which tended to be missing from the past year papers purchased from Jeremy’s Examsutra. In the P5 holidays, DD wrote compos for me in earnest and I would correct them just as dilligently [see the next section].

                      e.\tCorrections are Crucial – I did not agree with the way corrections were done in school but I emphatised fully. The teacher has 40+ students to handle and each student has multiple varying needs. I only had to help one DD, and I already had my hands full. But since DD had put in the effort to write a compo, I decided I would put in the effort to correct it so that she would learn from her mistakes. I won’t go into the details but I did require the following – spelling errors were re-written out 10 times and the mis-spelled word was thereafter put into our Spelling file for further practice; if the punctuation error revealed that DD didn’t know how to use that punctuation well, then we did a lesson ( or more, as necessary) on how to use that punctuation correctly; if a part ( or more) of the compo was badly written, I explained why I felt it was bad and made suggestions for improvement, reiterating lessons such as Points (a) to © above and (g) below, then DD would re-write another attempt. It was a slow and laborious process but we stuck with it and DD slowly but surely improved. I hastened the process somewhat by modeling for DD ie I wrote the compositions after she had done her “re-attempts” and then took her through the various parts of it, showing and not merely telling her, how it was to be done.

                      f.\tNo time for re-visits : Based on my earlier PSLE journey with DD1, I knew we would have no time for re-visits, so as we wrote and corrected, I collected the best of the works into a file and junked the rest; this was used for “revision” right before the PSLE.

                      g.\tThe Science to the Art : I worked out a formula/strategy [based on my abilities and suited for DD’s strengths and weaknesses] which DD could apply to any question that could come out in the PSLE, so that it didn’t depend on whether she liked the topic set or otherwise. DD understood this well because she had by this time understood Point (a) – composition writing is a writing exercise – it is an exercise to showcase writing ability and it didn’t depend on her magically being able to conjure a fantastic story line out of thin air within 50 minutes.

                      Our composition had 4 main parts [yes 4 not 3] : a beginning, a body, a resolution to the problem and a reflection.

                      Rule No. 1: the composition had to be balanced; in the early days, DD tended to start off beautifully, very descriptive and full of enthusiasm, but whether it was because she got tired or because she ran out of time, the other parts of her composition quickly went back to the ‘telling” mode, especially at the end. I explained that the end was perhaps the most important part of the compo since this was the point just before the teacher awarded the marks, so DD could not afford to start well but end badly.

                      Rule No. 2: the body was usually divided into two parts, (a) introducing the problem [Telling statement [ citing from a past psle picture composition question]: boy fell into a hole in the ground while flying a kite in the park]and the other (b) showing the process of how the problem was solved [Telling statement: the boy was rescued from the hole by his father using a long stick].

                      In this “body” part of the composition, we usually employed 2 main strategies – what the trainer termed “make the problem worse” for (a) and “ the magic of 3’ for (b).

                      In “making the problem worse”, instead of just making our poor boy fall into the hole [ we did nonetheless use 3 descriptors to show and not simply tell about his falling into hole– flailing arms, ear-piercing yell, deafening thud] , we might have him hurt his arm in the course of the fall [ we would have another 3 descriptors showing and not telling: eg. bent at an awkward angle, excruciating pain, limp and immobile arm] and then have the boy also feel sick and vomit from having swallowed clods of earth as he fell in [and another 3 descriptors showing and not telling: eg lumps of earthy debris rained onto him, filling his nose with the stench of dung even as clods of earth lodged deep within his throat, silencing him in mid-yell] . Each of these 3 small scenarios for one telling statement was simple enough for DD to manage and she had ample material to write about.

                      In the “magic of 3” [a suspense strategy] , our rescue was never a success at the first attempt; it was a minimum of 2 or a maximum of 3 attempts for success– eg in the first attempt, the dad finds a tree branch but this breaks the moment the boy touches it; in the second attempt, the dad manages to find something stronger but boy’s hands are slippery with sweat and he falls off halfway; only in the third attempt, does the rescue succeed. With this strategy, DD never ran out of material to write and her simple ideas were not a chore to derive or write about.

                      Rule No.3 : there must be a resolution to the problem; in my example, DD would probably ahve resolved this simply – the boy was saved by his dad; he had cuts and scratches but otherwise didn’t need any further treatment. The compositions our kids are often tasked to write are based on what PSLE setters think is a “problem” which is within their experience [ reality narratives] and set in a familiar context [ hence no “ Holiday in Hokkaido” types of titles for PSLE because not everyone has stepped onto a plane]. They therefore expect the problem to be satisfactorily resolved by the child in his/her compo. For this reason, use of deus ex machine [ a term I think which roughly translates to the equivalent of “intervention of a super machine” ]is not acceptable and neither is “death” or “ I woke up and realised it was a dream” as these are too ‘pat” and convenient a solution for a “real” problem to be resolved.

                      Rule No.4 : there needs to be a reflection; I wrote a “set” piece for DDs to memorise and adapt to the various common themes [ done a good deed and felt happy; relived that a harrowing incident had not turned worse; regret for a foolish act etc] ; it helped to bring the composition to a rounded end.

                      Eg. As the evening sun set and threw out hues of pink and gold, [Andy] was filled with a sense of relief that his harrowing ordeal had come to an end. Nestled in the comfortable confines of his room, he thanked his lucky stars that he had not been more seriously hurt. Soon, lulled by the warmth and safety of his bed, Andy closed his eyes as he drifted off to Dreamland.

                      Variation ie adpated for "done a good deed"

                      Eg. As the evening sun set and threw out hues of pink and gold, [Andy] was filled with gladness at the good deed he had done. The magnificent sunset was indeed a fitting end to an especially significant day.



                      Even if you deem the above examples commendable, I DO NOT recommend you/your child uses this – PSLE markers are going to start wondering why an inordinate number of compositions have this paragraph]. However, I do recommend you/your child either write your own reflection paragraph or adapt it from some of the good books [ I adapted one for DD from a children’s classic ].

                      With the above framework, we did not have to “plan” that much – just the few telling statements [which were obvious anyway] from which DD then applied the above “Rules” . The teachers did issue some notes along these lines to DD this year but it happened rather late in the year. As you can tell, these skills take time to develop, so earlier practice is always better. The upside is of this massive effort was that even with a little success, DD felt motivated enough to “keep the standards up” and I had relatively little trouble keeping her at the practice because she could clearly see the benefits.

                      h.\tWe avoided some common errors: we started our compos right at the point just before ‘the Body’. instead of writing 3 paras of a beautiful beginning at the expense of the “more important” end ; we always tried to minimise the number of characters in our story so that we did not have to write for so many – eg if you played ball with 5 friends and you have one character involved in an incident, one ‘hero” in charge , you will have 3 kids standing by in stony silence; we watched it when we wrote in the first person as then we needed to ensure the compo could continue if we decided that our first person story-teller should faint away; we avoided difficult names ending in ‘s” like “ James” because DD sometimes got confused how to use it as a possessive – “ James’ or James’s”; we avoided complicated story lines and flashbacks as a writing style like this made DD commit logic lapses and unfortunately, DD did not always flash back to the same time zone.

                      i.\tTypically, DD’s composition would be about 400+ to 500 + words; the mandate is 150 words but I feel that you cannot showcase much linguistic ability in 150 words.

                      j.\t40 out of 40 – if you accept Premise (a), 40/40 at PSLE for English composition is possible and according to the teachers, has been achieved. DD’s score was typically 30+ out of 40 in a school which tested for English at a reasonably high standard. Prior to my learning more, DD was languishing in the 24 to 29 range.

                      k.\tIf you think this is a lot of work then I will tell you it is; but take the challenge I did – do a P6 compo question and assess for yourself whether it is a walk in the park; if you agree that it is not, then I think you will agree that your DChild needs help – specific and directed guidance to do well; you cannot expect [save for the geniuses amongst us] the child to achieve this on his/her own.

                      l.\tTime – DD was fortunate; I learnt the above when DD was in P4; so when DD was in P5, we started implementation in serious. But all is not lost; for DD1 I only got these worked out in April of the year she took her PSLE and she did an A* for English too.

                      m.\tTuition – I was the main tutor but DD did attend one session with the trainer [we had parent-child teams in that workshop] but I think it was of limited value because this is an on-going process.

                      n.\tReferences – Since 2008, I have only found one model compo book resource I was happy to use; it was called "PSLE model compositions 2002 - 2007" published by MultiNine Corporation. As far as I can ascertain, it has been out of print after 2008. I bought my original copies from Popular. It contained the past PSLE questions with model compos and they were simple enough with very interesting story lines and amazingly done within 250+ words. I have given all my copies away over the years as we out-grew this. A word of caution about using these model resources : many other students had access to this little gem and the teachers were hence treated to highly similar stories from various girls in the class when they ‘borrowed” liberally from this book. Nonetheless, it was of value to us because I wanted to show my DDs what good compos looked like. I am unsure why, but only on odd occasions did the English teachers show the girls samples of good writing done by other girls in the class or their seniors [ yes, the compo questions were unchanged at least from 2009 to 2011]. The Chinese teacher however typed out and issued as notes the good Chinese compos the class girls had written and even underlined the good phrases and paragraphs to highlight to the students; so I’m not sure why the English teachers were reticent in this respect. Anyway, I modeled the compos for my DDs, for better or worse.

                      I think that’s largely it for English Compo. Remember that Rome wasn’t built in a day, so small steps and bite-size sessions in the course of implementaion are highly recommended.

                      If you have read till this end, I commend you – it made me rather tired just proof reading all this.

                      I also apologise if you cringed at my writing; I can only say that there is a fair bit of personal preference when it comes to style.

                      I’m not sure whether this has been of any help to anyone but if it has encouraged you to step up and help your child [ so many of them do struggle mightily when it is largely not their fault], I would have achieved my main objective.

                      Have a great night ahead everyone!

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                      • C Offline
                        Chenonceau
                        last edited by

                        :thankyou: This is so helpful to me!! I am really very grateful. You've taken the trouble to write your thoughts neatly, and organise them clearly... and share answers to questions that I have asked so many times but found no answers anywhere.


                        Thank God you came along. Please share more.

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