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    All About Choosing Piano Schools And Teachers

    Scheduled Pinned Locked Moved Music, Singing, Dancing, Speech & Drama
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    • D Offline
      Dreamaurora
      last edited by

      phankao:
      super_dad:

      Piano seems to be the \"standard\" instrument for kids...anyone thot of getting the child to learn something more exotic...like er hu or something 😜


      Simply bc Fractional sizes for Erhu are not available? At most if you can find one in China, it's just called \"child-size\" and there's no standard governing it's size and quality. Most pri school children would start off with a full-size adult erhu while similar violin students would be using 1/4-size. So quite a bit of effort is required.

      And of course the industry for music education in the chinese arts not so developed and promoted?

      Erhu not exotic enough.

      Try this 😆

      [youtube=http://www.youtube.com/watch?v=K6KbEnGnymk][/youtube]

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      • W Offline
        waiyean
        last edited by

        I cannot see clearly from the video, is he plucking on some strings, or is it some motion sensing device?

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        • D Offline
          Dreamaurora
          last edited by

          waiyean:
          I cannot see clearly from the video, is he plucking on some strings, or is it some motion sensing device?

          Motion sensing. You can wikipedia 'theremin' if you are interested to find out how this instrument works.

          Actually, not many people learn pipe organ in Singapore also. But I think it can be quite cool to perform. I tried organ for one semester in NAFA, not very comfortable to play, but I can certainly see the appeal.

          [youtube=http://www.youtube.com/watch?v=wr9SXtvunwk][/youtube]

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          • E Offline
            explorer
            last edited by

            Dear teachers


            I would like to seek your advice which song is easier to play for grade 8 exam purpose?

            - Intermezzo in Eb: No. 1 from Three Intermezzos, Op. 117 Brahms
            - Romance, Op. 2 L. Aubert
            - Waltz in F, Op. 34 No. 3 Chopin

            My child is not very experienced with pedal.

            Thank you so much

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            • SerendipityS Offline
              Serendipity
              last edited by

              My DD was taking group piano for a while and switched to individual lessons for a year before she stopped due to lack of motivation. Now it's been nearing a year since she stopped lessons. She was almost going to start on Grade 1 when she stopped.


              She's recently agreed to give piano lessons another shot. Any recommendations for a good teacher who can motivate students and piqué their interest? Can go to teacher's home or to music school, pref in the west. Really hope to have the right match this time round. :xedfingers:

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              • D Offline
                Dreamaurora
                last edited by

                explorer:
                Dear teachers


                I would like to seek your advice which song is easier to play for grade 8 exam purpose?

                - Intermezzo in Eb: No. 1 from Three Intermezzos, Op. 117 Brahms
                - Romance, Op. 2 L. Aubert
                - Waltz in F, Op. 34 No. 3 Chopin

                My child is not very experienced with pedal.

                Thank you so much
                This question is probably best answered by your child's teacher as he/she will be the best person who understands your child's musical preference and technical limitations.

                I do personally play the the Intermezzo and am teaching the Chopin's Waltz to one of my grade 8 students. The Aubert I am not familiar with but I do have the score for it.

                The Intermezzo is the most difficult technically out of the 3 I feel due to difficulty in voicing the main melody which is often nested in the middle of the chords and transferred to the thumb of the left hand. This piece also requires a very comfortable reach of at least an octave preferably ninth, if barely reaching nearly impossible to shape the hand to voice the melody. The pedalling is also quite complex here, need to change quite often to keep the clarity of the melody and requiring masterful use of half-pedalling for some passages.

                The Aubert's difficulty is quite similar to the Intermezzo, though thankfully the melody stays on the top of the line throughout the piece. Requires frequent change of pedal also to keep the melody clean and not blurred. So I think technically it is easiest out of the three.

                The Waltz is easier than it sounds, but it is still a workout playing it up to speed. A lot of the notes fall under the hands comfortably, but the student need to be confident to execute a few of the more tricky jumps here. Need a confident control of various touch to execute the frequent contrasts of more playful and lyrical passages here. Pedalling is most of the time straightforward one per bar or two beats per bar.

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                • T Offline
                  thinkcool
                  last edited by

                  My boy too, after switching to individual lessons, lost interest!

                  He wants to continue learning but does not like to
                  practise for half an hour everyday.
                  He finds it a chore and me too finds it a chore to get him
                  to practise everyday.
                  So I don’t know whether to continue his lessons or not.
                  He is doing grade 2 now.
                  My objective is that the teacher can motivate his interest
                  to play and practise and then prepare him for the relevant exams
                  when the time comes.

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                  • T Offline
                    thinkcool
                    last edited by

                    Is it possible to produce good results without following conventional practice approach? Is there a teacher who can help students to

                    be motivated about learning the piano and passing exams well
                    without making them bored with the usual conventional practice routine and ultimately killing their interest?

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                    • D Offline
                      Dreamaurora
                      last edited by

                      thinkcool:
                      Is it possible to produce good results without following conventional practice approach? Is there a teacher who can help students to

                      be motivated about learning the piano and passing exams well
                      without making them bored with the usual conventional practice routine and ultimately killing their interest?
                      As the grade goes higher, the motivation to do well should ideally come from the student himself/herself. Yes, it is very much possible to hothouse and spoonfeed the student all the way to a grade 8 distinction, but I imagine not many kids want to learn this way.

                      Learning piano is a goal-oriented activity. As I have mentioned before, practice is hard work and seldom fun. It is the satisfaction of seeing the progress and the goal becoming closer and closer that keep us practicing. So if your son does not like practicing, perhaps the practice lacks focus and he does not know what to do in his practice sessions other than playing his songs again and again?

                      And good results is really a team work. In the whole big picture, students, parents and teachers all share equal amount of responsibilities to make it happen. In my teaching practice, students who do very well for exams have good self-discipline and pro-activeness with parents who provide assistance if needed. When one of the factors is missing, it is still possible to do well, but harder of course.

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                      • C Offline
                        cathylmg
                        last edited by

                        My dd who just started grade 1 is give just 1 music piece to practice every week and is expected to play it in a reasonably well manner by the next week before being given a new piece to practice for the subsequent week. Is this a normal practice for music lessons or is it a wasting time?

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