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    All About ABRSM Grades & Support

    Scheduled Pinned Locked Moved Music, Singing, Dancing, Speech & Drama
    279 Posts 65 Posters 397.6k Views 1 Watching
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    • D Offline
      Dreamaurora
      last edited by

      kathyh:


      So we sing Fa sharp or Fa when come across black key notes?
      Fi.

      Just search for solfege in Wikipedia. There is a chart of solfege there.

      1 Reply Last reply Reply Quote 0
      • W Offline
        waiyean
        last edited by

        sunflower:

        Yup! People with perfect pitch has difficulty adjusting to \"out of tune\" performances. They will \"see\" sharps and flats all over the place on the \"score\" in the head! Some really can get headache. It's a \"curse\" and \"blessing\" at the same time.

        I'm really not sure whether it's possible for people with perfect pitch to \"train\" for relative pitch. It seems that they don’t really feel the necessity for it as they could already hear everything they see and vice versa. It's usually those without this gift that need to depend on relative pitch to help them in the various aspects of musical learning.
        I would think that it's possible for people with perfect pitch to learn relative pitch. My DD's aural teacher used to train her to listen and identify various intervals, ie. major & minor 2nds, 3rds, 4ths, etc. Also she will listen to a series of notes, and has to sing it in another starting note. She is still not well grounded in her theory yet to do all this using perfect pitch.

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        • K Offline
          kathyh
          last edited by

          Thanks, may i know How are things going during ABRSM exam, if sing solfege for echo singing?

          Dreamaurora:
          kathyh:


          So we sing Fa sharp or Fa when come across black key notes?

          Fi.

          Just search for solfege in Wikipedia. There is a chart of solfege there.

          1 Reply Last reply Reply Quote 0
          • K Offline
            kathyh
            last edited by

            My child's teacher is from china, and she asked us to sing 升Fa (F#), or 降Ti (Bb), which makes me very confused, and in Yamaha, we were asked to sing in this way, say for this chord, \"Fa sharp Do Re (F# C D)\"


            which way is the standard way, then?

            Dreamaurora:
            kathyh:


            So we sing Fa sharp or Fa when come across black key notes?

            Fi.

            Just search for solfege in Wikipedia. There is a chart of solfege there.

            1 Reply Last reply Reply Quote 0
            • D Offline
              Dreamaurora
              last edited by

              kathyh:
              Thanks, may i know How are things going during ABRSM exam, if sing solfege for echo singing?

              Any syllabe will do, though alternating between 'ta' or 'ti' is recommended to get most accurate pitching. Most people would use 'la', but singing using 'la' is actually quite difficult to pitch.

              Solfege is normally only used during sight singing component in grade 4-8. It is not compulsory though, so still can use any syllabe you want.

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              • D Offline
                Dreamaurora
                last edited by

                kathyh:
                My child's teacher is from china, and she asked us to sing 升Fa (F#), or 降Ti (Bb), which makes me very confused, and in Yamaha, we were asked to sing in this way, say for this chord, \"Fa sharp Do Re (F# C D)\"


                which way is the standard way, then?
                Chinese system uses 'movable do' a lot as they are expected to be able to read the number notation score. They don't really use 'fixed do'.

                The issue here is not all of them adopt the practice of using alternate syllabe for sharpened or flattened note. So some may sing F and F# with the same syllabe 'Fa' and another may sing F# as 'Fi' instead.

                Yamaha they use 'Fa Sharp' because having that too many syllabes will confuse the young kids.

                So unfortunately, there is no standard way that everybody follow when it comes to the alternate syllabes. As long your daughter can pitch them accurately, that is all that matters.

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                • D Offline
                  Dreamaurora
                  last edited by

                  sunflower:

                  Yup! People with perfect pitch has difficulty adjusting to \"out of tune\" performances. They will \"see\" sharps and flats all over the place on the \"score\" in the head! Some really can get headache. It's a \"curse\" and \"blessing\" at the same time.

                  I'm really not sure whether it's possible for people with perfect pitch to \"train\" for relative pitch. It seems that they don’t really feel the necessity for it as they could already hear everything they see and vice versa. It's usually those without this gift that need to depend on relative pitch to help them in the various aspects of musical learning.
                  It is indeed harder for people with perfect pitch to train relative pitch. But so far the Kodaly system has been quite successful even used on people with already perfect pitch.

                  1 Reply Last reply Reply Quote 0
                  • S Offline
                    sunflower
                    last edited by

                    waiyean:
                    sunflower:


                    Yup! People with perfect pitch has difficulty adjusting to \"out of tune\" performances. They will \"see\" sharps and flats all over the place on the \"score\" in the head! Some really can get headache. It's a \"curse\" and \"blessing\" at the same time.

                    I'm really not sure whether it's possible for people with perfect pitch to \"train\" for relative pitch. It seems that they don’t really feel the necessity for it as they could already hear everything they see and vice versa. It's usually those without this gift that need to depend on relative pitch to help them in the various aspects of musical learning.

                    I would think that it's possible for people with perfect pitch to learn relative pitch. My DD's aural teacher used to train her to listen and identify various intervals, ie. major & minor 2nds, 3rds, 4ths, etc. Also she will listen to a series of notes, and has to sing it in another starting note. She is still not well grounded in her theory yet to do all this using perfect pitch.

                    When I wrote about perfect and relative pitch, it’s in the context of identifying individual notes. These abilities are not “must have”, but are added advantage. Anyone, if properly trained, can identify chords and intervals well.

                    1 Reply Last reply Reply Quote 0
                    • W Offline
                      waiyean
                      last edited by

                      sunflower:
                      waiyean:

                      [quote=\"sunflower\"]
                      Yup! People with perfect pitch has difficulty adjusting to \"out of tune\" performances. They will \"see\" sharps and flats all over the place on the \"score\" in the head! Some really can get headache. It's a \"curse\" and \"blessing\" at the same time.

                      I'm really not sure whether it's possible for people with perfect pitch to \"train\" for relative pitch. It seems that they don’t really feel the necessity for it as they could already hear everything they see and vice versa. It's usually those without this gift that need to depend on relative pitch to help them in the various aspects of musical learning.

                      I would think that it's possible for people with perfect pitch to learn relative pitch. My DD's aural teacher used to train her to listen and identify various intervals, ie. major & minor 2nds, 3rds, 4ths, etc. Also she will listen to a series of notes, and has to sing it in another starting note. She is still not well grounded in her theory yet to do all this using perfect pitch.

                      When I wrote about perfect and relative pitch, it’s in the context of identifying individual notes. These abilities are not “must have”, but are added advantage. Anyone, if properly trained, can identify chords and intervals well.[/quote]Relative pitch involves knowing a note from a reference point, and that includes ability to identify intervals between notes. You are absolutely right to say that anyone, and that includes people with perfect pitch, can be trained to do that.

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                      • S Offline
                        sunflower
                        last edited by

                        waiyean:
                        sunflower:

                        [quote=\"waiyean\"]
                        I would think that it's possible for people with perfect pitch to learn relative pitch. My DD's aural teacher used to train her to listen and identify various intervals, ie. major & minor 2nds, 3rds, 4ths, etc. Also she will listen to a series of notes, and has to sing it in another starting note. She is still not well grounded in her theory yet to do all this using perfect pitch.

                        When I wrote about perfect and relative pitch, it’s in the context of identifying individual notes. These abilities are not “must have”, but are added advantage. Anyone, if properly trained, can identify chords and intervals well.

                        Relative pitch involves knowing a note from a reference point, and that includes ability to identify intervals between notes. You are absolutely right to say that anyone, and that includes people with perfect pitch, can be trained to do that.[/quote]Well, I’m not sure whether you really understood. It’s easy to identify intervals just by hearing if you already have perfect pitch, no need the “help” of relative pitch. It’s quite complex to explain in writing how it works.

                        I have friends with perfect pitch and others with very good relative pitch, and from what they described, the mechanisms they employ when hearing music are really very different.

                        Just as what Dreamaurora has shared 3 posts back, it’s not impossible, but just harder.

                        Cheers!

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