All About ABRSM Grades & Support
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kathyh:
Fi.
So we sing Fa sharp or Fa when come across black key notes?
Just search for solfege in Wikipedia. There is a chart of solfege there. -
sunflower:
I would think that it's possible for people with perfect pitch to learn relative pitch. My DD's aural teacher used to train her to listen and identify various intervals, ie. major & minor 2nds, 3rds, 4ths, etc. Also she will listen to a series of notes, and has to sing it in another starting note. She is still not well grounded in her theory yet to do all this using perfect pitch.
Yup! People with perfect pitch has difficulty adjusting to \"out of tune\" performances. They will \"see\" sharps and flats all over the place on the \"score\" in the head! Some really can get headache. It's a \"curse\" and \"blessing\" at the same time.
I'm really not sure whether it's possible for people with perfect pitch to \"train\" for relative pitch. It seems that they don’t really feel the necessity for it as they could already hear everything they see and vice versa. It's usually those without this gift that need to depend on relative pitch to help them in the various aspects of musical learning. -
Thanks, may i know How are things going during ABRSM exam, if sing solfege for echo singing?
Dreamaurora:
Fi.kathyh:
So we sing Fa sharp or Fa when come across black key notes?
Just search for solfege in Wikipedia. There is a chart of solfege there. -
My child's teacher is from china, and she asked us to sing 升Fa (F#), or 降Ti (Bb), which makes me very confused, and in Yamaha, we were asked to sing in this way, say for this chord, \"Fa sharp Do Re (F# C D)\"
which way is the standard way, then?Dreamaurora:
Fi.kathyh:
So we sing Fa sharp or Fa when come across black key notes?
Just search for solfege in Wikipedia. There is a chart of solfege there. -
kathyh:
Any syllabe will do, though alternating between 'ta' or 'ti' is recommended to get most accurate pitching. Most people would use 'la', but singing using 'la' is actually quite difficult to pitch.Thanks, may i know How are things going during ABRSM exam, if sing solfege for echo singing?
Solfege is normally only used during sight singing component in grade 4-8. It is not compulsory though, so still can use any syllabe you want. -
kathyh:
Chinese system uses 'movable do' a lot as they are expected to be able to read the number notation score. They don't really use 'fixed do'.My child's teacher is from china, and she asked us to sing 升Fa (F#), or 降Ti (Bb), which makes me very confused, and in Yamaha, we were asked to sing in this way, say for this chord, \"Fa sharp Do Re (F# C D)\"
which way is the standard way, then?
The issue here is not all of them adopt the practice of using alternate syllabe for sharpened or flattened note. So some may sing F and F# with the same syllabe 'Fa' and another may sing F# as 'Fi' instead.
Yamaha they use 'Fa Sharp' because having that too many syllabes will confuse the young kids.
So unfortunately, there is no standard way that everybody follow when it comes to the alternate syllabes. As long your daughter can pitch them accurately, that is all that matters. -
sunflower:
It is indeed harder for people with perfect pitch to train relative pitch. But so far the Kodaly system has been quite successful even used on people with already perfect pitch.
Yup! People with perfect pitch has difficulty adjusting to \"out of tune\" performances. They will \"see\" sharps and flats all over the place on the \"score\" in the head! Some really can get headache. It's a \"curse\" and \"blessing\" at the same time.
I'm really not sure whether it's possible for people with perfect pitch to \"train\" for relative pitch. It seems that they don’t really feel the necessity for it as they could already hear everything they see and vice versa. It's usually those without this gift that need to depend on relative pitch to help them in the various aspects of musical learning. -
waiyean:
When I wrote about perfect and relative pitch, it’s in the context of identifying individual notes. These abilities are not “must have”, but are added advantage. Anyone, if properly trained, can identify chords and intervals well.
I would think that it's possible for people with perfect pitch to learn relative pitch. My DD's aural teacher used to train her to listen and identify various intervals, ie. major & minor 2nds, 3rds, 4ths, etc. Also she will listen to a series of notes, and has to sing it in another starting note. She is still not well grounded in her theory yet to do all this using perfect pitch.sunflower:
Yup! People with perfect pitch has difficulty adjusting to \"out of tune\" performances. They will \"see\" sharps and flats all over the place on the \"score\" in the head! Some really can get headache. It's a \"curse\" and \"blessing\" at the same time.
I'm really not sure whether it's possible for people with perfect pitch to \"train\" for relative pitch. It seems that they don’t really feel the necessity for it as they could already hear everything they see and vice versa. It's usually those without this gift that need to depend on relative pitch to help them in the various aspects of musical learning. -
sunflower:
When I wrote about perfect and relative pitch, it’s in the context of identifying individual notes. These abilities are not “must have”, but are added advantage. Anyone, if properly trained, can identify chords and intervals well.[/quote]Relative pitch involves knowing a note from a reference point, and that includes ability to identify intervals between notes. You are absolutely right to say that anyone, and that includes people with perfect pitch, can be trained to do that.
I would think that it's possible for people with perfect pitch to learn relative pitch. My DD's aural teacher used to train her to listen and identify various intervals, ie. major & minor 2nds, 3rds, 4ths, etc. Also she will listen to a series of notes, and has to sing it in another starting note. She is still not well grounded in her theory yet to do all this using perfect pitch.waiyean:
[quote=\"sunflower\"]
Yup! People with perfect pitch has difficulty adjusting to \"out of tune\" performances. They will \"see\" sharps and flats all over the place on the \"score\" in the head! Some really can get headache. It's a \"curse\" and \"blessing\" at the same time.
I'm really not sure whether it's possible for people with perfect pitch to \"train\" for relative pitch. It seems that they don’t really feel the necessity for it as they could already hear everything they see and vice versa. It's usually those without this gift that need to depend on relative pitch to help them in the various aspects of musical learning. -
waiyean:
Relative pitch involves knowing a note from a reference point, and that includes ability to identify intervals between notes. You are absolutely right to say that anyone, and that includes people with perfect pitch, can be trained to do that.[/quote]Well, I’m not sure whether you really understood. It’s easy to identify intervals just by hearing if you already have perfect pitch, no need the “help” of relative pitch. It’s quite complex to explain in writing how it works.
When I wrote about perfect and relative pitch, it’s in the context of identifying individual notes. These abilities are not “must have”, but are added advantage. Anyone, if properly trained, can identify chords and intervals well.sunflower:
[quote=\"waiyean\"]
I would think that it's possible for people with perfect pitch to learn relative pitch. My DD's aural teacher used to train her to listen and identify various intervals, ie. major & minor 2nds, 3rds, 4ths, etc. Also she will listen to a series of notes, and has to sing it in another starting note. She is still not well grounded in her theory yet to do all this using perfect pitch.
I have friends with perfect pitch and others with very good relative pitch, and from what they described, the mechanisms they employ when hearing music are really very different.
Just as what Dreamaurora has shared 3 posts back, it’s not impossible, but just harder.
Cheers!